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QEK JUNIOR Das Gespenst der Freiheit [limited transparent CLEAR] LP VINYL 2024
Art.Nr.: 48634
EAN: 8016670166290
Label: YOUNG & COLD
EUR 26,99
inkl. 19 % USt
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Sofort versandfähig
- Gewicht 1 kg
Produktbeschreibung / Informationen zur EU Verordnung (GPSR)
| Artist: | QEK JUNIOR |
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| Title: | Das Gespenst der Freiheit |
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| Format: | Limited Edition of strictly 250 pieces in Transparent
CLEAR Vinyl |
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| Year: | 20.12.2024 | |
| Label: | Young & Cold | |
| Tracklist: | A1 Alles anders A2 Extravagant A3 Goldene Zeiten A4 Groß, blond, tuberkulös A5 6 Gramm Caratillo B1 Deine Mudda hört die Krupps B2 Glück ist, wenn der Bass einsetzt B3 Kleinstadtavantgarde B4 The Harald Juhnke Experience B5 Marian |
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| Info: | QEK JUNIOR´s
„Das Gespenst Der Freiheit“ is a surprisingly dark,
yet club-ready album that will quickly delight old fans and appeal to
new ones. „Minimal Noise Pop’ – pure
German underground. DAF meets Einstürzende
Neubauten’. Following the recent compilation CD
„Art Brut“, here comes the all new, 4th album by
QEK Junior! Dominic Daub´s solo project, supported live by
Tobias Dupont, has always been known for its mix of Minimal Synth and
EBM with a quirky sense of humour and always gets the dancefloors
moving. With the new album (presumably titled after a surrealist film
drama by Luis Bunuel „Le Fantôme de la
liberté“) a new chapter has been written, with
song titles that – if you understand German - alone
making you sit up and take notice. As you can already guess, there is a second, sometimes socio-critical and political level here and there alongside the humour but it never slips completely into the foreground. This means that „Das Gespenst…” can be „consumed“ throughout as a danceable Electro-album in the club, but can also be listened to at home in peace and quiet. Which is not always the case with Electro- albums. Already the album’s first track, in a dark, minimalist style, is reminiscent of The Klinik´s best days and is sure to serve as a concert opener to put the audience in a certain mood straight away. The dark and experimental „Extravagant“ continues, somewhere between Esplendor Geometrico and Liaisons Dangereuses. Then, for the first time, the Minimal-Pop of „Goldene Zeiten“ (possibly named after a Bunuel-film, too) aims for the club dancefloors, directly followed by the ironic „Gross, Blond, Tuberkulös“. As the title promises, things get lighter again with „Deine Mudda hört Die Krupps“ (Your mom listens to Die Krupps). A catchy tune that is sure to quickly become a scene standard. Other songs are vaguely reminiscent of Welle: Erdball or purest Minimal Synth at its best – and yes: the last song „Marian“ is exactly what you´d expect...a cover of The Sisters Of Mercy that also shows QEK JUNIOR's courage and insouciance in the face of seemingly unassailable icons. |
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